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Showing posts with label cover stamped dates. Show all posts
Showing posts with label cover stamped dates. Show all posts

Wednesday, January 18, 2012

Fandom's Forgotten Founder: Richard Hughes



Unknown Worlds #6 (March 1961) [American Comics Group (ACG)]

Today is an important day in comic book fandom, though not normally recognized as such.  Today, this issue of Unknown Worlds was on the newsstands.  Note the date stamped on the cover.

Most histories of comic book fandom accord Julie Schwartz and Stan Lee with most of the credit for helping modern fandom get started in the early 1960s.  They each played a big role in creating a comic book community and the impression that the companies cared about their fans.  This was done in many ways including fan letter pages, clubs, giving out original art and prizes, responding and following fan suggestions, and sending post cards in response to letters.   All of those engendered fan appreciation and loyalty to the editors and comics of Marvel and DC.  Schwartz and Lee could have stopped there. 

But, they went farther.  They helped the fans communicate with each other and form their own communities not tied to a specific company, editor or title.  Julie Schwartz gave names and addresses of fans who had written him to Jerry Bails.  Both Lee and Schwartz also started attaching the full name and address to the fan letters they printed in the comics. 

This is a key factor in why fandom was able to form.  All the other increased communication efforts helped the fan interact with the company, but giving the fan the means to talk among themselves sparked the foundation of comic book fandom as we know it.  Without a means to communicate between themselves, neither fanzines nor conventions would have ever been formed.  Since at the time, comic books were so looked down upon, thought of as so much trash, most fans didn't know other fans.  For fandom to get started, you first have to know that you are not alone.  With today's internet, everyone forgets how hard it used to be to find others who have your same interests.  Not living in a big city, it wasn't until I was 17 that I actually met another comic book fan.

Now letters pages were not rare before the 1960s, and even letters pages with full addresses (name, street, city, state) were published in comic books back in the 1930s.  And there were fans clubs, even if they were mostly company run.   But something changed with comic book fans in the early 1960s.  There were many factors, but one key was the older, activist fan like Jerry Bails, Roy Thomas, and Don & Maggie Thompson.  They enjoyed comic books and wanted to tell others about it.  And they had the life experience and knowledge to act on that desire.  That made all the difference.  They and other fanzine publishers used the contacts they had and the addresses found in comic books to promote their fanzines.  They could reach a market that wanted their product.   And every new comic book published added new potential customers to their list.

Julie Schwartz is often credited with founding this practice of including the full address on his letters pages, at least in the early 1960s.  He drew on his experiences with science fiction fandom.   His efforts, letters, and encouragement to Bails and Thomas in Brave & Bold have cemented that thought in the minds of fans.  Stan Lee came along a little later and joined those practices of encouragement and printing the full address of fan letters.  His fun, irreverent, huckster style caught on with teens of that time.  For more on the founding fans activities and their interactions with Marvel and DC, you need to read Bill Schelly's fantastic book: The Golden Age of Comic Fandom.

So why is Unknown Worlds #6 important?   Well, with all the rightly deserved celebration of Schwartz and Lee, there is another important figure ignored, left out of this group of people responsible for the founding of modern comic book fandom. 

He also deserves some recognition for helping fandom get started.  He was the editor of this comic, Richard Hughes.  Hughes real name is thought to be Leo Rosenbaum according to Michael Vance.  He wrote the excellent history of ACG: Forbidden Adventures.

This issue of Unknown Worlds is important because it has letters pages and Richard Hughes prints the complete address of the letter writers.  "So What" you say, "Schwartz started that in Brave & Bold #35 (May 1961, cover date) when he printed letters from Bails and Thomas".  That's true, but that issue made it onto the newsstand in February of 1961 (Shelly pg 31).  This issue of Unknown Worlds was on the newsstands as of today, Jan. 18, 1961, and had 5 letters with their complete address (name, street, City state).   More significantly, this is the third consecutive issue of Unknown Worlds' letter pages with complete addresses.  So Hughes has already established a consistent pattern of printing complete addresses in ACG comic books.


Unknown Worlds #6  Letters Pages

Only a year before, a fan letter in Superman #135 (Feb 1960 cover date) asked the editor to print his address so he can swap books with other fans.  The printed reply was: "Sorry, but old issues of used magazines are known disease-carriers, so we can't encourage such swapping. - Ed." 

Julie wasn't the first to start printing the addresses in the silver age and he wasn't always consistent.  Sometimes he put in the entire address, sometimes not.   Did he see that Hughes had already started including full addresses on his letters pages a few months earlier and then follow suit?  Probably not, considering his background in science fiction and the long lead times of comic book publishing.

Adventures Into The Unknown #123 (Mar. 1961) also has complete addresses for fan letters.  Hughes followed this practice with all the titles ACG published by the middle of the year and continued on until to the end in 1967.  (except maybe My Romantic Adventures?) He even made it a point to chide letter writers who didn't provide their street address. 

So here is a steady source of addresses for fanzine publishers at the beginning of fandom that never gets more than a fleeting mention, if mentioned at all, in most histories of fandom.  Why is that?  Well, most fandom histories are written by superhero fans, so its not surprising that is where the focus would be.  Also, superhero fans didn't collect ACG comics, so they are hard to find.  In addition, the ACG titles generally had lower circulation numbers than either DC or Marvel.

Adventures Into The Unknown #123 (March 1961) [American Comics Group]

Future historians need to give Richard Hughes more respect for his role in the foundation of comic book fandom.  His role wasn't equal to Schwartz and Lee, but never the less, a lot more significant than usually given credit.

Unknown Worlds #4 (December 1960/January 1961) [American Comics Group]

Unknown Worlds #4  Letters Page

Friday, January 6, 2012

Clean Up By Comics Czar Follow-up

Last week (December 29) I posted various articles on the enactment of the comics code on comic books and Judge Murphy's press conference.  In those articles, he said that the comics would be "circulated in the next few weeks." 

So I wondered, how soon might the comics be on the stands and if all the publishers complied right away?  How soon after the press conference did the code comics hit the stands might be hard to determine, but I got lucky. 

I found Dodo And The Frog from National/DC with a B-1-6 on the cover, which probably is the date it was on the newsstands.  Looks like today in 1955 was the day the code seal started appearing.
Dodo And The Frog #83 (March/Apr 1955) [National Comics Publications]

I also found Hopalong Cassidy #99 (March) from National/DC with T 1/18/55 written on the cover.

Hopalong Cassidy #99 (March 1955) [National Comics Publications]

Since these are both March 1955 cover dated books, these are probably among the earliest comics out with the code seal on them.  On both titles, this is the first time the code seal appeared on their covers.

Atlas/Marvel was all over the place, as Combat Kelly #29 was February and it had the seal, while the monthly Battle #38 was March but it didn't have a seal.  And Western Tales of Black Rider didn't get it until May (#28).

Combat Kelly #29 (February 1955)

Battle #38 (March 1955)

 Western Tales of Black Rider #28 (May 1955)

So, what about other publishers?  Did the seal appear on their March 1955 books?  Some yes and some no.  DC was pretty consistent as most of their titles dated March had the code on them.  For Archie Comics, some of their March issues did, while others didn't get the code until May.  For bi-monthlies, that's not a big difference. 

Ace did not have any code seals on comics until April with most being May and even July.  ACG, which is related to DC, was right away like DC.  While Charlton only had a handful that were March and most were April.  Most of the rest of the publishers were April/May cover dates where the seal first showed up.

Then there was Quality.  The first issue of Plastic Man that had the seal was June 1955 (#54) while T-Man had it in April.  Quality seems to be one of the later ones to adopt the seal.

So looks like most everyone who was going to comply, did so by their May cover dated books.

In the article, Murphy said that the CMAA had gone over 440 comics and found more than 5,500 "lurid drawings" and 126 "unsuitable" stories which had been censored.  So, is there anyone who wants to look at those comics from the Mar-May time period and try and guess what was changed?

Sunday, December 11, 2011

Batman #9

Batman #9 (Feb./Mar. 1942) Detective Comics Inc.

As you can tell by the date stamped on the cover of this issue, this issue was on the newsstands today in 1941.  Retailers did this so they could know how long a comic book or magazine had been on sale.  Usually they had more than one copy of the issue, so they would stamp the issue on the bottom of the pile.  That way it would be last issue sold.

Sometimes this date would just be hand written and sometimes it would indicate which wholesaler to which it would be returned. 

You can find different dates stamped on different copies of the same issue and they both could be correct.  It depends where the comics were sold.  A comic book in San Francisco could be on sale 2-3 weeks later than one on sale in New York.  It all would depend on where the distributor shipped the books to first.  It could easily take that long for freight to travel across the country.

This practice pretty much disappeared in the 1970s but you can still occasionally find it today in some old time, non-computerized stores.

I like them on my comics as it gives you a sense of history and actually gives you more information about the book.