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"The fact that you think you are a person is a socially induced hallucination. There is not such thing as a person."
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Showing posts with label 1960s. Show all posts
Showing posts with label 1960s. Show all posts

Monday, January 30, 2012

Jerry Bails - Media beginnings

In the New York Times today in 1965, there is an article about the new phenomena of escalating prices of old comic books. 





New York Times, January 30, 1965 pg 31

It was a sequel of sorts to an earlier New York Times article from Dec. 1964.

New York Times, December 6, 1965 pg 141

The first story above is one of the earliest media mentions Dr. Jerry Bails, who of course, is one of the founders of modern comic book fandom.  Soon after this article, Jerry Bails is in the Newsweek of Feb. 15 article about fandom titled "Superfans and Batmaniacs".  The media starts to notice comic books in a different light than as a problem to be solved.

Bill Schelly, in his excellent Golden Age of Comic Fandom book, says that this New York Times article "was reprinted in scores of newspapers across the country".  Unfortunately I couldn't find any other papers that carried the article in Google News Archives or the the online database of New York state newspapers.  I did find other articles later in 1965 and 1966  where you could see how Jerry became a spokesman for fandom.  His professorship at Detroit's Wayne State University made him the voice of authority.

He again was the voice of authority in the newspaper in March.  (Sorry the bottom line is missing)

Watertown NY Daily News, March 24 1965 pg 33

And again in June from an article reprinted from the Los Angeles Times.



Watertown NY Daily News, June 10 1965 pg 4 & 6

Then again in a UPI syndicated story a year later in July of 1966.

News And Courier, July 3 1966 pg 8B (Charleston SC)

At the end of 1966, he was even mentioned in an article about Golden Age artist Jack Binder in the Warrensburg-Lake George News.

Warrensburg-Lake George News, December 8 1966 (New York)

Jerry was a voice of reason and knew how to deal with the media.  He appeared in countless other articles and gave a mature, professional face for comic books.  His stature helped turn around the negative impression of comic books.  He has been missed.

Sunday, January 29, 2012

DJ Art Roberts and Marvel Comics

Daredevil #12 (January 1966) [Olympia Publications Inc. (Marvel)]

Not sure when this story actually began, as it started sometime in mid 1965 in Chicago, IL.

But, it began in the pages of Marvel Comics with a Jan. 1966 cover date.  In the letters pages, a Merry Marvel Marching Society (MMMS) member writes about hearing a radio disk jockey mention that he'd also joined the club.  That DJ was Art Roberts of WLS in Chicago:



Now this was big news!  The media was beginning to pay attention to Marvel Comics.  Marvel had received a little attention from newspapers and other media, but this was a True Believer!  Not just someone reporting a story.  A real fan of comic books in the media.  Not the usual media drumbeat of how comic books were bad for children.  His show was from 9 to midnight, and he'd been on since 1963.

The MMMS had been introduced less than a year earlier in the February 1965 issues of Marvel comic books.  With the huge lead time for editorial material in comic books, Art must have been an early member.  Since Daredevil #12 was on the newsstands in November 1965 and Marvel's lead time for letters could easily have been four months, the letter could have been written in July 1965.  So Robert's mention of the MMMS was probably in the summer of 1965.

So, Marvel played it up BIG.  Three more fan letters were printed in other issues that same month that talked about hearing Art Robert's broadcast.

Amazing Spider-Man #32 (Jan. 1966)

Avengers #24 (Jan. 1966)

X-Men #16 (Jan. 1966)

Then again in Fantastic Four #47.  Though it was cover dated Feb., it was actually part of the previous months editorial group.  All four of the those issues had the same Bullpen Bulletins page which had another big news item.  Roy Thomas was starting to work for Marvel.  A fan had become a pro.


Fantastic Four #47 (Feb. 1966)

So Art Roberts got lots of attention from Marvel.  One cover month later, another letter in Amazing Spider-Man #34 again mentioned his broadcast.

Amazing Spider-Man #34 (Mar. 1966)

Note that these letter writers are from all over the country as WLS reached two-thirds of the US.

The following months Bullpen Bulletins page is talking about how much media attention Marvel is receiving. This is new for Marvel.


Amazing Spider-Man #35 (Apr. 1966)

Two months later, Stan Lee lists all the DJs and stations that are talking about Marvel on the Bullpen Bulletins page.  Of course including Roberts.

Amazing Spider-Man #37 (June 1966)

And in July's Amazing Spider-Man Bullpen Bulletins, Roberts gets mentioned again.

Amazing Spider-Man #38 (July 1966)

And the flood is on, as Stan's next Bullpen Bulletins talks about how 100 articles on Marvel had appeared across the nation.


Amazing Spider-Man #39 (Aug. 1966)

Then a month later in an unusual thank you, as Roberts gets put into an Amazing Spider-Man story.

Amazing Spider-Man #40 (Sept. 1966) pg 8

Over a 9 month period, Art Roberts gets his name in more than nine different comic books.

It appears that Art Roberts was one of the earliest media people to get the Marvel Silver Age media flood rolling.  And Stan Lee thanked him by putting him in an issue.

In an interview much later, he said:  "That was my debut in the comics. Truthfully, I got a big kick out of it. I believe it was meant to be a birthday present from Stan Lee. "  (Interview)

Roberts was on nights until 1968 and at WLS until 1970 when he went to San Francisco.  As typical of the radio business, he programed and managed in many cities in the US over the next 30 years.  He passed away in 2002.

This is my salute to another comics fan who made a difference.  He was at the forefront, maybe even one of the initiators of all the media attention Marvel started to receive.  It seems they are every where these days, in movies, TV, and even theatre.  But back then, he was the exception and helped turn back the negative view of comic books and made them be cool.


Wednesday, January 18, 2012

Fandom's Forgotten Founder: Richard Hughes



Unknown Worlds #6 (March 1961) [American Comics Group (ACG)]

Today is an important day in comic book fandom, though not normally recognized as such.  Today, this issue of Unknown Worlds was on the newsstands.  Note the date stamped on the cover.

Most histories of comic book fandom accord Julie Schwartz and Stan Lee with most of the credit for helping modern fandom get started in the early 1960s.  They each played a big role in creating a comic book community and the impression that the companies cared about their fans.  This was done in many ways including fan letter pages, clubs, giving out original art and prizes, responding and following fan suggestions, and sending post cards in response to letters.   All of those engendered fan appreciation and loyalty to the editors and comics of Marvel and DC.  Schwartz and Lee could have stopped there. 

But, they went farther.  They helped the fans communicate with each other and form their own communities not tied to a specific company, editor or title.  Julie Schwartz gave names and addresses of fans who had written him to Jerry Bails.  Both Lee and Schwartz also started attaching the full name and address to the fan letters they printed in the comics. 

This is a key factor in why fandom was able to form.  All the other increased communication efforts helped the fan interact with the company, but giving the fan the means to talk among themselves sparked the foundation of comic book fandom as we know it.  Without a means to communicate between themselves, neither fanzines nor conventions would have ever been formed.  Since at the time, comic books were so looked down upon, thought of as so much trash, most fans didn't know other fans.  For fandom to get started, you first have to know that you are not alone.  With today's internet, everyone forgets how hard it used to be to find others who have your same interests.  Not living in a big city, it wasn't until I was 17 that I actually met another comic book fan.

Now letters pages were not rare before the 1960s, and even letters pages with full addresses (name, street, city, state) were published in comic books back in the 1930s.  And there were fans clubs, even if they were mostly company run.   But something changed with comic book fans in the early 1960s.  There were many factors, but one key was the older, activist fan like Jerry Bails, Roy Thomas, and Don & Maggie Thompson.  They enjoyed comic books and wanted to tell others about it.  And they had the life experience and knowledge to act on that desire.  That made all the difference.  They and other fanzine publishers used the contacts they had and the addresses found in comic books to promote their fanzines.  They could reach a market that wanted their product.   And every new comic book published added new potential customers to their list.

Julie Schwartz is often credited with founding this practice of including the full address on his letters pages, at least in the early 1960s.  He drew on his experiences with science fiction fandom.   His efforts, letters, and encouragement to Bails and Thomas in Brave & Bold have cemented that thought in the minds of fans.  Stan Lee came along a little later and joined those practices of encouragement and printing the full address of fan letters.  His fun, irreverent, huckster style caught on with teens of that time.  For more on the founding fans activities and their interactions with Marvel and DC, you need to read Bill Schelly's fantastic book: The Golden Age of Comic Fandom.

So why is Unknown Worlds #6 important?   Well, with all the rightly deserved celebration of Schwartz and Lee, there is another important figure ignored, left out of this group of people responsible for the founding of modern comic book fandom. 

He also deserves some recognition for helping fandom get started.  He was the editor of this comic, Richard Hughes.  Hughes real name is thought to be Leo Rosenbaum according to Michael Vance.  He wrote the excellent history of ACG: Forbidden Adventures.

This issue of Unknown Worlds is important because it has letters pages and Richard Hughes prints the complete address of the letter writers.  "So What" you say, "Schwartz started that in Brave & Bold #35 (May 1961, cover date) when he printed letters from Bails and Thomas".  That's true, but that issue made it onto the newsstand in February of 1961 (Shelly pg 31).  This issue of Unknown Worlds was on the newsstands as of today, Jan. 18, 1961, and had 5 letters with their complete address (name, street, City state).   More significantly, this is the third consecutive issue of Unknown Worlds' letter pages with complete addresses.  So Hughes has already established a consistent pattern of printing complete addresses in ACG comic books.


Unknown Worlds #6  Letters Pages

Only a year before, a fan letter in Superman #135 (Feb 1960 cover date) asked the editor to print his address so he can swap books with other fans.  The printed reply was: "Sorry, but old issues of used magazines are known disease-carriers, so we can't encourage such swapping. - Ed." 

Julie wasn't the first to start printing the addresses in the silver age and he wasn't always consistent.  Sometimes he put in the entire address, sometimes not.   Did he see that Hughes had already started including full addresses on his letters pages a few months earlier and then follow suit?  Probably not, considering his background in science fiction and the long lead times of comic book publishing.

Adventures Into The Unknown #123 (Mar. 1961) also has complete addresses for fan letters.  Hughes followed this practice with all the titles ACG published by the middle of the year and continued on until to the end in 1967.  (except maybe My Romantic Adventures?) He even made it a point to chide letter writers who didn't provide their street address. 

So here is a steady source of addresses for fanzine publishers at the beginning of fandom that never gets more than a fleeting mention, if mentioned at all, in most histories of fandom.  Why is that?  Well, most fandom histories are written by superhero fans, so its not surprising that is where the focus would be.  Also, superhero fans didn't collect ACG comics, so they are hard to find.  In addition, the ACG titles generally had lower circulation numbers than either DC or Marvel.

Adventures Into The Unknown #123 (March 1961) [American Comics Group]

Future historians need to give Richard Hughes more respect for his role in the foundation of comic book fandom.  His role wasn't equal to Schwartz and Lee, but never the less, a lot more significant than usually given credit.

Unknown Worlds #4 (December 1960/January 1961) [American Comics Group]

Unknown Worlds #4  Letters Page

Thursday, January 5, 2012

Cuban Crack Down On Comics

An AP wire story today in 1967 tells about a possible crack down on old comic books and "sex-and-sin" paperbacks in Cuba.  This is the only article I've seen on this and have not been able to find out if a crack down actually happened.


The Charleston SC News And Courier, January 5, 1967, pg 3A

Now what it really seems to be about is a crack down on used book and magazine dealers, but it is interesting that this newspaper highlights comic books with the headline.  I guess it shows the low esteem comic books still held.

I don't know much about Mexican comics, but I assume that when they say American comics "translated into Spanish in Mexico City years ago", they are referring to issues like these:
Batman #1 (1º de febrero de 1954)

Pepita #1 (Marzo de 1953)

Marinos en Acción #44 ([circa 1959])

El Despertar del Mundo #48 (Mayo 31 de 1959)

Thanks to the Grand Comic-book Database for these cover scans, as usual.

Thursday, December 22, 2011

River On Fire 1969

Justice League Of America #78 (February 1970) [National Periodical Publications]

On the Newsstands today in 1969 was this issue of the JLA.  According to Mike's Amazing World of Comics (www.dcindexes.com), this issue shipped on Dec. 11, 1969.

So, what's interesting about this issue?  It actually is a great issue showcasing superhero comics and comic book fandom of the time.

First, the JLA story begins with the river running near Star City accidentally catching fire because of its polluted state and the superheroes needing to put it out.  The whole story by Denny O'Neil is one of the many of "relevant" comics that were the vogue at this time. 
This story also is the introduction and first use of the JLA satellite headquarters that lasted for years and was even in the cartoons.  Of course, 1969 is the year of the first Apollo moon landing, so men in space were on every one's mind.
Second, its letters pages contain fine examples of fandom at the time.  The first letter is from Mike Tiefenbacher who (along with Jerry Sinkovec) a few years later in 1973 took over The Comic Reader and greatly expanded its coverage and pages making it the the premiere comics newszine of the time.  As Street Enterprises, they also published the The Menomonee Falls Gazette and The Menomonee Falls Guardian which reprinted newspaper comic strips; and published their own b/w comic books.
Other letter writers in this issue were several well know letterhacks Dornbaum, Henley, and Lillian.  Letterhacks were fans who tried to get as many letters published in comic books as possible.  Guy Lillian III claimed to have more than 62 published letters by 1967 and he's still writing them in 1969.
Henley's letter is especially interesting since he lived in North Canton, Ohio at that time, which is just south of the Cuyahoga River watershed.  That river is the one which caught fire on June 22, 1969 that Time magazine featured and probably lead to the JLA story in the first place.  It wasn't the first time the river had burned, but it was the first time it got national attention.

Monday, December 5, 2011

Cartoonist Showcase #5


This month in 1968, you could have received in the mail Cartoonist Showcase #5, dated November.  It contained comic strip reprints of Modesty Blaise, Secret Agent X-9, Tarzan, and James Bond.  84 pages of great action comic strips with a Mike Royer cover in magazine format. 

Published by Ed Aprill, this was one of the classic fanzines of the 1960s that were professionally produced.  Edwin M. Aprill Jr. was one of those forgotten founders of comic fandom.  He was a fan, a con dealer, original art collector, publisher, and one of the co-founders of the Detroit Triple Fan Fair in 1965.   As a "big-name" fan, he tried to expand fandom beyond its focus on superheroes by publishing a slick, professional magazine that re-packaged old newspaper strips. He demonstrated that there was a market for them in fandom and that one could make a profit from selling them.

Cartoonist Showcase ran 12 issues from 1968 to 1972, but ended when Ed died after his car skidded off an icy road and into a tree in southeast Michigan on Feb. 3, 1972.  He also published 10 issues of Great Classic Newspaper Comic Strips from 1964-1969.

Friday, November 25, 2011

On The Newsstand Today In 1961

Tales of Suspense #26 (Feb. 1962) Marvel.

A great monster cover by Jack Kirby.

On the newsstand on Nov. 6.  The average circulation for this title in 1961 was 148,929 copies.